The Public Health Ministry and Pan American Health Organisation (PAHO/WHO) is expected to finalise the essential medicine list for Guyana during an ongoing three-day meeting with stakeholders at the Guyana Marriott Hotel, Kingston, Georgetown.PAHO/WHO Representative to Guyana, Dr William Adu-KrowThe medicine list is updated every 2-3 years via a lengthy process through a pharmaceutical team with the aid of a standard treatment guideline developed by the Public Health Ministry or in some instances, the Georgetown Public Hospital Corporation (GPHC).The list is then supplied to the Permanent Secretary with the Ministry’s annual budget, as that being recommended for the Government to procure and make available for patients’ use.Chief Medical Officer, Dr Shamdeo Persaud explained that every year, newer and more effective agents are added and those that were found to be ineffective are removed.“Each year we add the newer and more effective agents but we also remove medicines that we find are ineffective that they might be for resistance developed against some form of antibiotic and we have done that or that a drug have found not to be as effective as we did in the past,” Persaud noted.Persaud further added that the list contains generic items which have been recommended globally by the World Health Organisation.A section of the gathering“The medicines are in their true form, they are also categorised by strength and by the preparation type whether it is liquids or tablets, capsules, topical application so there might be one pharmaceutical agent but they might be available in 5-6 different forms so it’s quite a long list but we are trying to keep the items generic, that means that we look at the pharmaceutical active component and we recommend the generic items which WHO have been recommending globally rather than to go for brand.”In his remarks, PAHO/WHO representative to Guyana, Dr William Adu-Krow noted that essential medicines are critical to the functioning of any health system, especially in Guyana.Dr Adu-Krow further deemed the list as being among things that are of national priority.“Essential medicines are intended to be available within the context of functioning health systems at all times, in adequate amounts, in appropriate dosage forms with assured quality and adequate information and at a price that the individual and the community can afford” the PAHO/WHO representative added.Dr Adu-Krow added that “The implementation of the concept of essential medicines is intended to be flexible and adaptable to many different situations exactly which medicines are regarded as essential remains a national responsibility”.Regional advisers and consultants of WHO are currently leading the discussion in the finalisation of the Essential Medicine List. Regional health officers of the administrative regions, pharmacists, doctors and staff of the Material Management Unit and the Georgetown Public Hospital Corporation are among those participating in the three-day meeting.
It is one of those indelible images from the late 1960s that remains locked in the minds of those who were there. It’s a comedy album photograph of a nearly naked Richard Pryor, dressed in a loincloth, with bones through his nose and beads around his neck like a stereotypical African bushman from an old Tarzan movie. But there is a glare on the comedian’s face on 1968’s “Richard Pryor” album that seems to say, “I’m here and I’m going to change your thinking about race relations in every way possible.” That’s what Pryor, who died Saturday of a heart attack at age 65, did for people all across America in the 1970s, his breakthrough decade and a time when the country was hotly divided not only by the Vietnam War but by the civil rights battles of the 1950s and ’60s that preceded it. AD Quality Auto 360p 720p 1080p Top articles1/5READ MOREBlues bury Kings early with four first-period goals He did it by bringing black and white audiences together to laugh as one, at least for the length of a concert or a comedy album, at the madness all around them. “He was a brilliant and incredibly courageous performer,” recalled humorist Paul Krassner, whose magazine “The Realist” once published an essay by the comedian commenting on the disproportionate number of black soldiers that seemed to be fighting the Vietnam War. Pryor headlined it, “Uncle Sam Wants You, Nigger.” It was a word he would use frequently in the 1970s, even using it in the name of his second album as he tried to take the sting out of the epithet by repeating it over and over. After a visit to Africa in 1980, however, he would renounce it and say he no longer wanted to hear the word, either from his “hip white friends” or his fellow blacks. A subsequent recording was titled “That African-American is Still Crazy,” with the offending word crossed out. Such upfront, no-holds-barred, socially conscious commentary won Pryor the admiration of seemingly every black comic who followed him, an admiration perhaps best summed up by Keenen Ivory Wayans, who once said Pryor demonstrated “you can be black and have a black voice and be successful.” Pryor’s comedy also drew equally warm reactions from white comedians, including Bob Newhart, who on Saturday called Pryor “the single most seminal comedic influence in the last 50 years.” Although he was not the first comedian to liberally use the N-word or the F-word or any number of other once-unspoken-in-public words, Pryor seemed to use them to greater comedic effect than anyone else. When he was at his best he was not just funny, he was laugh-out-loud, falling-down, tears-in-your-eyes funny. Twisting and writhing his body into any number of contortions, Pryor would switch effortlessly from accent to accent as he told stories that made fun of every ethnicity and nationality he’d encountered. In one of the routines from his classic 1981 performance, “Live on the Sunset Strip,” the comedian recalled working for a Mafia-run nightclub that wasn’t paying him the money it had promised. Grabbing a gun and doing “my best black s–” he tried to rob the club owner, only to find that his performance, one that he recalled “usually scares” the average white person, provoked only laughter from an Italian-American mobster. “Do it again, Rich, put the gun up here,” he had the mobster telling him before going on to regale Pryor with stories of all the people he’d rubbed out. He could also do broader comedy, a talent that was displayed clearly in his best nonconcert films, “Silver Streak” and “Stir Crazy” with Gene Wilder. He even handled the occasional dramatic turn well, and he won an Emmy as a writer for one of Lily Tomlin‘s TV comedy specials. But stand-up, where he was left unbridled by censors, would become his legacy and win him five Grammy Awards for comedy album. Fellow comedian Steve Martin noted upon Pryor’s death: “By expressing his heart, anger and joy, Richard Pryor took comedy to its highest form.” – Associated Press 160Want local news?Sign up for the Localist and stay informed Something went wrong. Please try again.subscribeCongratulations! You’re all set!